
National Treasure 2: The Book of Secrets
This unfortunate viewing happened only because I saw a double feature with my friend, Cody Melton. I use his full name, because I want him to feel the weight of his actions, of which I am exposing. Cody Melton insisted that we see this piece of cat shit film. I hesitate to use the word ‘film’; I think I will call it a ‘flim’. Fuck Nicholas Cage. Fuck Jon Voight. Please, someone, rescue poor Helen Mirren from this awful flim! I had not seen the first one, and was worried I wouldn’t be up to speed on what was happening in the sequel. No reason to fear that, this movie spoke to the audience like we were 8 years old. The “clues” that these “characters” had to “solve” and “follow” didn’t even make any sense. So forced, so lame, so mad at Cody Melton. I want 91 minutes of my life back.
Sweeney Todd
This was the trade for sitting through goddamn ‘National Treasure’. First off, I liked Tim Burton’s ‘Todd’. That said, if I was a musical purist, I would be pissed. Helena Bonham-Carter is lovely and I adore her, but she just wasn’t right for the role of Mrs. Lovett. Johnny Depp is a fantastic actor, but he just doesn’t have the singing chops for the part of Sweeney Todd. The role of Toby was cast too young, the brilliantly complex layers of score and melody didn’t shine as they should, and several musical numbers were either cut short or left out entirely (my guess is because they were too hard for the cast to sing). I was happy to see Claire Danes playing the role of Anthony Hope. Don’t try to tell me they don’t look exactly the same.
I’m Not There
Booooorrrrrrring. I don’t care how awesome Cate Blanchett is as one part of six pieces of Bob Dylan. I don’t care how artistically stylized Todd Haynes’s direction is in showing us six pieces of Bob Dylan. I don’t care that Heath Ledger and Christian Bale, as hot and awesome of actors as they are, make worthy contributions to two of six pieces of Bob Dylan. I need to care about Bob Dylan in the first place. I also need to have functional knowledge of Bob Dylan throughout his career to decipher what the fuck is going on in this deeply textured (perhaps too deep) film essay on the life of an undoubtedly great musician. By the time Richard Gere showed up on screen, I had forgotten what I was supposed to be watching. I felt like I was lost, like I… wasn’t even there. ‘I’m Not There’ was two hours of flatness and made me feel stupid for ‘not getting it’….whatever ‘it’ was.
No Country For Old Men
Joel and Ethan Coen have a beautifully shot little sparkplug of a western on their hands. Gorgeous cinematography and art direction. I haven’t read the book that it was adapted from, but if I had, I would probably say something like, “they really captured the essence of the book on film through a skilled adaptation and the art of moving pictures.” The story of a creepy madman in pursuit of his money and drugs across a Texan backdrop draws you in and keeps you interested the entire time, especially when he uses some weird, air powered contraption to shoot people that was reminiscent of something Dennis Hopper would have used in ‘Blue Velvet’. I hope Javier Bardem has cleared off a space on his mantle for his upcoming Oscar win.
Before The Devil Knows You’re Dead
Ethan Hawke and Phillip Seymour Hoffman head up an extraordinary cast about a pair of brothers who set out to rob their parent’s jewelry store. The story elements were all there for me to want to like this movie, but something about the heavy direction was very hard to watch. It wasn’t hard to watch as in too gory or too sad or too painful, it was hard to watch as in too dense and slowly paced, as in my eyeballs had a hard time looking at the screen. Weird time dashes, and not like in a groovy ‘Pulp Fiction’ sort of way, more of like a my head accidentally got caught in a blender for a moment sort of way. Never has such firm and evident directing been so off-putting to me. Sorry, Sidney Lumet. Weird original score too. Sorry, whoever wrote the score.
Juno
Whoever thought this was going to be another ‘Superbad’ just because Michael Cera was in it, were probably disappointed. As a movie, I think it’s decently good, but as a star making vehicle for the sassy little frassy, Ellen Page, it’s amazing. The script offers a delightful character for this 20 year-old actress to tear through. She plays a harshly quirky high school girl who finds herself pregnant and giving her baby away for adoption. Allison Janney and Jennifer Gardner offer up some outstanding support performances as well. If you don’t have the soundtrack for this movie yet, you are missing out. Kimya Dawson is an odd folk singer who greatly colors this film.
Margot at the Wedding
Terrific! This just might be my favorite movie all year. Excellent script by ‘The Squid and the Whale’ writer/director Noah Baumbach. Amazingly sarcastic tone throughout the entire film that stays grounded in reality. Margot (Nicole Kidman) arrives at her estranged sister’s (Jennifer Jason Leigh) house in order to help prepare for her wedding to an overgrown shlub (Jack Black). Baumbach really nails the tense family hostility and their comic jabs at each other. The pacing, dialogue, and spirit is dark perfection. I giggled with familial familiarity from beginning to end. Bravo! Incidentally, my friend, Cody Melton, hated this movie. I can’t wait until the sequel “Margot at the Wedding 2: Margot at the Funeral of Secrets”…you bet I will force him to watch it with me.